Room 7 of 7

The Theatre

Philosophy, knowledge, and abstraction - mapping as a way of staging the world.

Named for Ortelius’s Theatrum Orbis Terrarum, this is the room where the map stops pretending to be the world and admits that it stages one. The Theatre gathers cartography as philosophy - mapping as a way of thinking, a theatre in which knowledge itself is set out for viewing, arranged and lit and framed. It asks what it means to abstract the world into a system: to plot fifteen centuries of maps not on a timeline of progress but as coordinates in a space of values, or to build an essay whose every component stages an argument about a map rather than reproducing one. Here the map is openly a performance of knowledge, with all a performance’s selection and artifice. We ask what is gained when the world is made into a spectacle to be understood - and what such staging quietly leaves in the wings.

The room's anchor

Invisible Maps of Religion

Sacred Space Before the Border

Nine Christian maps from Madaba to Bünting show how a centre, an orientation or a chain of stations can organise lived space without measured distance.

Essays in this room

Essays that pass through

Chapters in this room

Atlas layers

Collection sheets